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scherzo
英：【skeətsəʊ】美：【skɛrtso】
英：
美：
常见释义：
n.
诙谐曲
名词复数形式:scherzos
1、school smart ─── 学校聪明
2、first school education ─── 第一学校教育
3、crocker mo school facebook ─── crocker mo学校facebook
4、eschscholzia california ─── 加利福尼亚州埃斯乔尔齐亚，
5、abbot school ─── 方丈学派
6、wayside school show ─── 路旁学校表演
7、school time ─── 上课时间
8、refined scholar ─── 雅士
9、school relate ─── 学校关系
10、bert kreischer ─── 伯特·克雷舍
1、The
scherzo
is marked allegro molto. ─── 谐谑曲是很快的快板。
2、The fourth chapter discusses the reasons for the formation of the composers
scherzo
style and the aesthetic principles in it. ─── 第四章是对肖斯塔科维奇谐谑性音乐风格的成因进行分析，并展现了其体现出的美学原则。
3、The
scherzo
-like section begins almost seamlessly, evolving subtly out of the Adagios closing material. ─── 慢板的结尾部分，巧妙演变成了「近似诙谐曲」段落的起始。
4、Violin Concerto, to the memory of an angel: I. Andante -
Scherzo
. ─── 小提琴协奏曲：为一个天使的记忆：i。行板，谐谑曲。
5、There are differences between this kind of
scherzo
and its previous styles. Chopins
scherzo
is no longer defined to frolic and amusement. ─── 这些谐谑曲已不同于以往的谐谑曲体裁，不再限于嬉戏、玩闹而是隐含了深刻而复杂的思想内容。
6、Today a student came to me for help with orchestral excerpts. He played the
scherzo
from Mendelssohns Midsummer Nights Dream. ─── 今天一个学生就他们乐团的一些章节寻求我的帮助，他演奏的是门德尔松《仲夏夜之梦》里面的谐虐曲。
7、Amazing! Love the the second
scherzo
movement alot. ─── 惊人！热爱运动的第二谐谑曲很多。
8、A walking bass theme thuds heavily (pesante) and fortissimo out of the silence following the
Scherzo
. ─── 一个漫步式的低音主题沉重地敲击着，以最强音打破了谐谑曲结束后的安静。
9、All the jubilation that follows can sound like an attempt to forget whatever existential threat the
Scherzo
poses. ─── 随之而来的所有欢庆场景仿佛试图去掩盖那些谐谑曲所存在的威胁。
The
scherzo
is marked allegro molto .
Miguel and I danced the
scherzo
together.
Think of the transfixingly strange Scherzo of the Fifth Symphony, when the music effectively stops moving and the timpanist drums lightly on the note C like a finger tapping on a pane.
The Octet Scherzo is played beautifully in the revised scoring for full orchestra.
Besides, the
scherzo
and its own style in the symphony is also considered one of the major elements in the composition of the composer.
Only in the Scherzo and in certain passages in the Finale do they begin to lighten the texture sufficiently.
The composing manuscript of Beethovens
scherzo
from the String Quartet Op. 127 in E-flat major is one of the most spectacular of the composers autographs to have appeared on the market.
The
scherzo
resumes the sense of not-so-contained violence; and the Presto finale is taken at a dangerously fast pace.
There are differences between this kind of
scherzo
and its previous styles. Chopins
scherzo
is no longer defined to frolic and amusement.